Das Institut für Sexualwissenschaft (1919–1933)

Urbane Transformationen im Berlin nach der Wende

Benjamin Busch, “Echoes of Queer Landscapes: On Lili Elbe and the Institute for Sexual Science,” Haus der Kulturen der Welt, July 27, 2026

Gotham

Project Space Festival Berlin

Queer Games Pt. 2, AvantBeetle, Atlanta, Georgia

“Spaces That Matter: Care, Knowledge, and Community in Karail,” screening and conversation program, Spore Initiative, Berlin, June 5, 2026

“In Conversation: New Media & New Narratives in Queer Cinema,” panel discussion, Xposed Queer Film Festival Berlin, May 29, 2026

Instinct #19: Cruising, we.are.village, Berlin

Evan Pavka and Benjamin Busch, “Scans, Residues, Misrecognitions and Other Materialities of Loss,” react/review 5 (2025): 22–39

Gaps, Leaps, Fractures — Queer Temporalities, Queer Museum Vienna

re:publica 25, Off Stage exhibition, Station Berlin

Walter Crasshole, “Scanning the Horizon: Documenting Berlin’s queer spaces,” The Berliner, April 2025

3rd Manifest:io Symposium for New Media and Electronic Art, Berlin

Queere Räume in Berlin seit den 1970er-Jahren

“Introduction to Scanning the Horizon: An Immersive Archive,” presentation as part of the Loops series in dialogue with Cade Diehm, New Practice in Art and Technology, UdK / TU Berlin, November 7, 2024

Scanning the Horizon: An Immersive Archive

Scanning the Horizon: An Immersive Archive, Parts I–III, Kreuzberg Pavillon, Berlin

The Stories We Inhabit, Kunstraum IDEAL, Leipzig

Benjamin Busch, “Tacheles in Ruins,” Failed Architecture, September 2, 2024

Urban Immersion, Elisabeth Kirche, Berlin

“Archiving Queer Spaces in Berlin Using LiDAR and Virtual Reality,” online presentation, DocTalks × queer space working group, December 21, 2023

The Educational Web, Kunstverein in Hamburg

A Lapse into the Ephemeral, Rochester Art Center, Minnesota

“A home is a home outside your own,” screening program, Kunstraum IDEAL, Leipzig, July 2, 2023

Mike Curran, “Splintering the Veneer of the City,” Mn Artists, May 5, 2023

BPA// Exhibition, KW Institute for Contemporary Art, Berlin

Amanda Troth, “Scanning the Horizon,” GeoConnexion Winter/January 2023

The Institute for Endotic Research (TIER)

Simone Reber, “Junge Kunst im KW: Die nächste Generation stellt sich vor,” Tagesspiegel, December 4, 2022

Peter Rehberg, “A Psychedelic Double,” in BPA// Exhibition 2022, exhibition catalog, edited by BPA// Berlin program for artists (Berlin: BPA / KW Institute for Contemporary Art, 2022)

Monitoring, 39th Kassel Documentary Film and Video Festival

Sumpf der Wunder, Kunstbrücke am Wildenbruch, Berlin

Spoiler Alert, BPA// Raum, Berlin

Lama El Khatib and Sonja Mattes, “There can never be enough points. Interview with Benjamin Busch,” The Whole Life Repository, Haus der Kulturen der Welt, March 21, 2022

Nina Prader, “3D Scanning Queer Spaces: An Interview with Benjamin Busch,” Berlin Art Link, January 25, 2022

Scanning the Horizon: Queer Spaces Berlin

“Scanning the Horizon – 3D Mapping Queer Spaces in Berlin,” presentation and discussion, Schwules Museum Berlin, December 9, 2021

Benjamin Busch and Lorenzo Sandoval, eds., The Endotic Reader No. 2: Maintenance! Domestics as Institutional Becomings (Berlin: The Institute for Endotic Research Press, 2021)

Arbeit, Wohnen und Wissen in selbstorganisierten Siedlungen

Amader Pathagar (A Library of Our Own)

Das Recht der Nutzer*innen auf die Stadt

AlgoRhythmanalysis

It’s time all the time for radical friendship, Futura, Prague

Benjamin Busch, "Adjacent Realities: Mundane, High-tech, and the Narratives in Between," interview with Nora O Murchú, RTV Magazine, no. 11, August 27, 2020

Benjamin Busch, “Biopolitics and Coloniality in the Pandemic: An Interview with Luiza Prado de O. Martins,” Berlin Art Link, August 7, 2020

Benjamin Busch and Lorenzo Sandoval, eds., Objects Before and After the Wall (Berlin: The Institute for Endotic Research Press, 2020)

Benjamin Busch, “Visiting the Berlin Fence Memorial,” in Objects Before and After the Wall, edited by Benjamin Busch and Lorenzo Sandoval (Berlin: The Institute for Endotic Research Press, 2020), 150–159

Benjamin Busch, “AlgoRhythmanalysis in Quarantine,” Arts of the Working Class, May 13, 2020

Benjamin Busch, “Computational Infrastructures and the Right to the City,” in Lefebvre for Activists, edited by Kollektiv Quotidien (Hamburg: adocs Verlag, 2020), 160–178

Benjamin Busch and Lorenzo Sandoval, eds., The Endotic Reader No. 1 (Berlin: The Institute for Endotic Research Press, 2019)

Benjamin Busch, “Queer Transversality at the 58th Venice Biennale,” Berlin Art Link, June 3, 2019

“Private Space / Public Space,” reading and discussion program organized by Àngels Miralda with Benjamin Busch, Alina Kolar, Maria Ines Plaza, Lorenzo Sandoval and Paul Sochacki, The Institute for Endotic Research, Berlin, March 7, 2019

Benjamin Busch, “Self-management and The Stack,” in Making & Breaking 1 (2019)

Benjamin Busch, “New Journey to the Equinoctial Regions: An Interview with Sergio Zevallos,” Berlin Art Link, December 21, 2018

Card House

Elymus Repens, Bar Babette Kosmetiksalon, Berlin

Benjamin Busch, “The User’s Right to the City,” in Ed, no. 2, The Architecture of Disaster (2018): 90–96

Benjamin Busch, “Interview // Zach Blas on the Concept of Contra-Internet,” Berlin Art Link, March 30, 2018

Benjamin Busch, “Artists Chart Evidence of the Inhuman, and the Inhumanity of Evidence,” review of Evidentiary Realism at Nome Gallery, Berlin, ArtSlant, December 18, 2017

Karail

Degree Show, Weissensee Academy of Art Berlin, SEZ Berlin

“Recording the Everyday,” presentation as part of the Perspektiven series, Weissensee Academy of Art Berlin, June 22, 2017

Benjamin Busch, “40 Years On, Skulptur Projekte Münster Keeps Troubling the Idea of ‘Public Space,’” ArtSlant, June 15, 2017

Edge.Piraeus, Kastela Art Center, Athens

Benjamin Busch, “James Bridle’s Self-driving Car Steers Into Slippery Questions About Automation,” interview, ArtSlant, April 26, 2017

Benjamin Busch, “Wheatley-Provident Hospital: Kansas City’s Own Ruin,” Failed Architecture, February 23, 2017

Benjamin Busch, “Transmediale’s Revolution from Within,” ArtSlant, February 20, 2017

Fully Automated Aquarium

The early days, Kreuzberg Pavillon, Berlin

Mapear no es Habitar, Arte Actual FLACSO, Quito, Ecuador

Benjamin Busch, “Three Strikes, You’re Out: Habitat III’s Doomed Urban Agenda,” Failed Architecture, November 25, 2016

Individuating, Kunstverein am Rosa-Luxemburg-Platz, Berlin

Jonas Becker, Benjamin Busch, Matthew Hanson, Penny Rafferty, and Paul Stewart, eds., OnCurating, no. 31, Spheres of Estrangement: Art, Politics, Curating (2016)

Point Blank

Point Blank, super+ Centercourt, Munich

Benjamin Busch, “Reclaiming Public Space for the Collective Imaginary,” in Raumzine 2, edited by Elisa T. Bertuzzo et al. (Berlin: Fachbereich Raumstrategien der Weissensee Kunsthochschule Berlin, 2016): 41–46

Migration und Grenzinfrastrukturen

Berlin Fence Memorial

Refugee Monument Berlin, 2. Berliner Herbstsalon, Maxim Gorki Theater, Berlin

Slinky

Benjamin Busch, “Permanent Temporariness,” in Raumzine 1, edited by Kathrin Wildner, Gerda Heck, et al. (Berlin: Fachbereich Raumstrategien der Weissensee Kunsthochschule Berlin, 2015): 14–21

Architektonischer Verfall und posthumane Landschaften

Benjamin Busch, “Unstable Architecture,” Avant.org, November 6, 2014

Benjamin Busch, “Vogelsang Murals,” in Horizonte – Zeitschrift für Architekturdiskurs, no. 9, Ruine, edited by Toni Herzog et al. (Weimar: Bauhaus-Universität / Lucia Verlag, 2014): 137–143

Palimpsest + Material Senescence

Palimpsest + Material Senescence, Staycation Museum, Berlin

The Oracle, The Wand, Berlin